Warning: the following content contains spoilers!
Beigbeder tells Sira he’s been relieved of his duties for advising Franco not to ally with the Germans. He asks her to give Rosalinda some letters.
The episode was rated 8.33 from 33 votes.
Rosalinda gets a reporter, Marcus Logan, to help her mother escape in exchange for an interview with Beigbeder. Marcus invites Sira to an elite event.
The episode was rated 8.27 from 41 votes.
The episode was rated 8.19 from 37 votes.
Sira and Marcus decide to steal the debt documents of the husband of one of the shop’s customers. Then he’ll flee Tétouan and say goodbye to Sira.
The episode was rated 8.14 from 36 votes.
Commander Vázquez takes Sira to stay with Candelaria, an eccentric woman who’s had problems with the law. Sira won’t eat and stays in bed all day.
The episode was rated 8.09 from 44 votes.
Sira is developing an attraction towards Marcus. Rosalinda appears to be very ill, and when Sira visits she says it’s because her husband has arrived.
The episode was rated 8.08 from 38 votes.
Ramiro and Sira arrive in Tangier and discover an exotic world of luxury. Ramiro is always drunk and taking Sira’s money, and the two get in a fight.
The episode was rated 8.05 from 42 votes.
Sira decides to help Paquita, but it won’t be easy. With all of the problems from her former life sorted out, she’s ready for a life of intrigue.
The episode was rated 8.00 from 34 votes.
Rosalinda needs a dress for tonight. Sira and Jamila work together to make a last-minute miracle. Sira finds out Rosalinda is with Lt. Col. Beigbeder.
The episode was rated 7.97 from 39 votes.
Candelaria proposes Sira create an exclusive shop in a luxury building in Tétouan. No one shows up at first, until a German woman orders some dresses.
The episode was rated 7.97 from 38 votes.
Sira Quiroga, a young seamstress pushed by fate into a risky compromise in which patterns and fabrics of her profession will become the facade of something much murkier and transcendent.
The episode was rated 7.73 from 55 votes.
Last updated: may 28, 2021
If you're a fan of post-apocalyptic worlds set in a dystopian reality, you've likely already heard of HBO's latest hyped-up show, 'The Last of Us'. First released in 2013, The Last of Us narrative-based game franchise has gained popularity amongst gamers worldwide. The gameplay focuses on a teenage protagonist Ellie on her quest to find a resistance group- 'The Fireflies' during a time when a percentage of the human population is affected by a parasitic infection. Another central part of the game is the development of the father-daughter-like relationship between Ellie and her counterpart Joel. Joel is tasked with smuggling Ellie across the United States despite the deathly threats they face from the infected. The gritty and well-thought narrative of the game brings a human touch to the harsh realities of a mass post-apocalyptic pandemic. It's no wonder gamers have been excitedly awaiting the development of the beloved franchise into a television series! But is the TV series matching up to the standards that lovers of the game expect?
Netflix's Spin-off to Vikings, Vikings: Valhalla, is a critically acclaimed series filled with gore, bloodthirst and vengeance. Of course, if you know anything about the fierce Vikings in history, you can expect nothing less. After its popularity, the show was already renewed for a second series (available to stream now). Before you dive straight to the sofa to binge-watch series two, how about some backstory to season one? To what extent was the show a valid representation of Viking History?
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